Representation of the Mother-Daughter Relationship in Post-Soviet Women’s Cinema
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Master Thesis
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Abstract
This MA thesis focuses on the concepts of the mother/daughter dyad in feminist thought and on the representations of mother-daughter relationships in a specific socio-cultural space. The aim is to reveal the aspects of construction and deconstruction of motherhood and the mother-daughter relationship from a female perspective in Post-Soviet cinema. The creative work of post-Soviet movie directors Kira Muratova and Renata Litvinova is taken as an example and object of the analysis.
Keywords
motherhood, mother/daughter dyad, women’s genealogy, good/bad mother figure, representation, Soviet cinema, post-Soviet women’s cinema, maternal space.